Hi
Defamation: the Suppression and Exploitation of HDTV
by Skip Pulley
citations in brackets
Some
people who watch television would tell you that it is their main
recreational activity. As TV would have high priority and importance
in this situation, most advertising seems to focus on the actual
quality of the picture programming, i.e. “high definition”.
There has
been a constant theme among advertisers of this breakthrough
technology that “more” and “bigger” is definitely better. The
question no one seems to want to explore is the better for whom? A
specific advertising campaign by Dish Network encourages television
watchers to abandon their current system, whatever it may be; in
favor of one that has more channels, more “on demand” choices and
better picture & sound. I understand that entertainment will
always play a big role in the structure of society, but is this the
best use of available technology? If so, what
purpose does it really serve?
HDTV is
short for high-definition television, which offers clear, precise
images with rich colors and contrasts. A traditional
standard-definition television uses up to 480 lines per picture. In
comparison, HDTV can deliver lifelike picture quality with either 720
or 1080 lines per picture, plus digital sound and wide-screen
viewing. More lines per picture results in crystal-clear,
true-to-life images (Twombly). The featured advertisement does not
explain this to the viewer in any detail whatsoever other than to
loudly exclaim that the digital service is broadcast at “1080i”.
As both a marketing tactic and an advertising ploy, having a
celebrity talk confidently about arbitrary number and letter
sequences or made-up phrases is very successful in terms of sales. In
another commercial for the same product from a different company
female pop singer Jessica Simpson states: "You're not going to
get the best picture out of some fancy big-screen TV without DIRECTV.
It's broadcast in 1080i. I totally don't know what that means but I
want it” (Swann).
This was
the same strategy Chrysler used in 1976 when they had Ricardo
Montalban describe the soft “Corinthian” leather that came
standard in their new luxury automobile called the “Cordoba”. Of
course there is no such thing as Corinthian leather (wikipedia) and
it was later rumored that Chrysler executives flipped through a Bible
and pointed to the first marketable word they read. The difference is
that 1080i and 1080p are real, but if we don’t know what it does or
how it works we have no other choice but to take their word for it.
The elements of race, gender and economic class are combined in a
very clever yet sometimes annoying way in this ad with the portrayal
of caricatures by a celebrity impersonator. This adds the element of
comedy and entertainment into the advertising strategy and increases
the size and depth of the target market. This also sells the product
by having the product “sell itself” by providing entertainment as
a distraction (Caliendo). By combining relevant pop culture topics
with recognizable celebrities, the message reaches the subconscious
mind at different levels.
There is
really no ethical issue raised by the ad, other than possibly excess
due to the cost, which is no longer even seen as a negative by most
sociologists. But the appeal is very strong in relation to peer
pressure and sense of belonging such as a “keeping up with the
Jones” type mentality. Our fear of not being equal to our
neighbors, co-workers and friends is played upon by promoting the
product and service as the greatest innovation in the history of
television and not owning it will make us seem like an outsider. Our
sense of belonging is greatly manipulated by limiting the options of
non participation in lobbying to making the alternative illegal. On
February 18, 2009 “full power” television stations will stop
analog broadcasting and transition to digital broadcasting. This
decision was made by The National Telecommunications and Information
Administration – or NTIA of the U.S. Department of Commerce
(hidef-tv.com).
This
administration is controlled indirectly by lobbyists who work for the
telecommunications industry. They report only to the regulatory
agencies of the US Government who receive a portion of the fees
assessed to the consumer in the sale of HD products such as
digital-to-analog TV converter boxes. After the transition, those who
do not subscribe to cable or satellite services will need either a
television set capable of receiving DTV programming, or a
digital-to-analog converter box. The administration is developing an
application for households to obtain coupons that can be applied
toward the purchase of converter boxes, but even that has guidelines.
The overall impact of buying into the technology through the
advertising is that the ultimate goal may never be realized
completely without total commitment. It would be like eating one
potato chip and closing the bag. If you buy hi def TV, you have to
get hi def cable or satellite service, hi def DVD player, hi def
video game, hi def camcorder and so on to get the same effect, not to
mention equipment compatibility. The viewer is already spending all
of their disposable income on commercial items seen on their crystal
clear HDTV, now they are pressured to overhaul their entire system.
So why
should the consumers not want to buy the best products and services
available if they can afford it? They should. That’s not the
problem. Those consumers, who want the technology and can afford it,
are informed and understand the process. They rationalize the
commitment regardless of advertising. The problem is the viewers who
are bombarded by the ads in every media format with no knowledge of
what these things are, how they work or why they should have them.
The ads don’t explain that you may have to upgrade your entire home
entertainment system and neither do the salesmen who sell them. If
the average consumer is disappointed at their $300 desktop computer
becoming obsolete in 1½ years, how are they going to react to their
$2000 television set not being up to specs when the next
technological breakthrough is authorized by a congressional
committee?
So why
shouldn’t the government regulate the sale, distribution and
development of HD technology? A better question is why should they? -
At least in terms of profit through lobbyists and corporate
subsidies. The most obvious reason given by the government is
supposed anti-terror. It is true that cell phones can be used in the
creation of explosive devices, but so can coffee makers and digital
alarm clocks. Why would a potential bomber buy a traceable Hi def TV
or video game to make a bomb when they could rig a radio transistor
or processor chip from a laptop that could never be traced? This
raises suspicion that all of the taxes and fees on an HD subscriber’s
bill add up to more than a concern about terror. By regulating
communications, the government could conceivably move the industry in
the direction of a monopoly. There are only a handful of cable and
satellite TV providers in this country. By making analog broadcasting
illegal, they are forcing independent media outlets, who can’t
afford the government broadcasting license, to collapse. This could
be easily interpreted as intentional, but there would be no way to
prove it under the present system of trade and commerce.
Not to
mention that this business seems to be thriving in the midst of a
full blown recession. But that is probably more of a reflection of
the developing market than the product itself. There is the point
that because of the weak economy, home entertainment is taking the
place of traditional family outings. It is therefore not unreasonable
to expect to spend more for quality home theater experiences. Cable
programmers for instance, are opting to show rather than tell when it
comes to marketing their high-definition channels. That’s because
industry experts believe hi def television sells best by word of
mouth: someone checking out the game on a neighbor’s new HDTV set
for the first time or doing a double-take when James Bond orders a
dry vodka martini on a big screen in a Planet Hollywood restaurant.
However, consumer confusion still exists about hi def programming.
Some consumers buy hi def TV’s but don’t sign up for programming.
Tammy Timmons, senior programming manager for EchoStar says, “the
focus of marketing on the notion that hi-def is part of a package and
not a separate or add-on service is more of a positioning statement,
there is still a lot of confusion in the marketplace. Customers often
still assume they are getting HD even if they aren’t” (Whitney).
In any
case, as with all electronics, the supply will eventually exceed the
demand. This will hopefully bring prices down to the point of making
the advertisers actually make an effort to sell the product rather
than make the consumer feel guilty for not buying it. If held
economically accountable, they may actually have to start explaining
what these products do and how they compare in relation to others
like it. Broadcast systems will actually have to give incentives and
provide information other than celebrity impersonations and pop diva
endorsements. It is unclear as to an alternate use of the technology,
so for now we will have to assign it to enhancing “Spiderman”
and the “Fiesta Bowl”. If consumers can afford this HD
phenomenon, they should spend time researching it on their own, with
no influence other than their desire to see clearly.
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